The movie stars you see on the screen have once been selected amongst others. The glamor of the premiere is preceded by mug shots, selections, interviews, wining, dining, backstabbing and sex. In the end, everyone gets what they deserve.

Notes from the Underbelly is an American sitcom that debuted on ABC as a midseason replacement. The series is based upon the novel of the same name by Risa Green, and is produced by Eric and Kim Tannenbaum for Warner Bros. Television. The title is a parody of Dostoevsky's novel Notes from Underground.Originally, it was supposed to debut on October 5, 2006, along with Big Day, but ABC made a last-minute change in its schedule by moving Ugly Betty to Thursday, thus replacing both sitcoms. After numerous scheduling changes prior to the shows premiere, the show premiered Thursday, April 12, 2007 at 10:00PM Eastern/9:00PM Central, and moved to its regular Wednesday timeslot at 8:30PM Eastern/7:30PM Central on April 18.Notes from the Underbelly began its second season on November 26, 2007 in the new timeslot of 9:30PM Eastern/8:30PM Central on Mondays, leading out of fall's second highest rated freshman sitcom, Samantha Who?.On May 13, 2008, ABC opted not to renew the series for a third season.In Russia, all 23 episodes of the series were shown on NTV.

Notes from the Underbelly is an American sitcom that debuted on ABC as a midseason replacement. The series is based upon the novel of the same name by Risa Green, and is produced by Eric and Kim Tannenbaum for Warner Bros. Television. The title is a parody of Dostoevsky's novel Notes from Underground.Originally, it was supposed to debut on October 5, 2006, along with Big Day, but ABC made a last-minute change in its schedule by moving Ugly Betty to Thursday, thus replacing both sitcoms. After numerous scheduling changes prior to the shows premiere, the show premiered Thursday, April 12, 2007 at 10:00PM Eastern/9:00PM Central, and moved to its regular Wednesday timeslot at 8:30PM Eastern/7:30PM Central on April 18.Notes from the Underbelly began its second season on November 26, 2007 in the new timeslot of 9:30PM Eastern/8:30PM Central on Mondays, leading out of fall's second highest rated freshman sitcom, Samantha Who?.On May 13, 2008, ABC opted not to renew the series for a third season.In Russia, all 23 episodes of the series were shown on NTV.

Arachne, the masterful weaver, spun tales of the gods’ misdeeds. But for weaving the truth, she was met with divine wrath, cruel and unrelenting.

With Hurricane Sandy looming on the horizon, five hard-lived friends come to from a send-off celebration alongside an unexplained dead girl. What are friends for?

Mun-oh, a failed Korean literature professor, becomes fascinated by Lee Kang's writing and tries to raise a decent student by providing proper lessons.

Adapted from Dostoevsky's novella, Henry Czerny plays the narrator, Underground Man. Filled with self-hatred, he keeps a video diary where he discusses his own shortcomings and what he thinks is wrong in contemporary society. His bitterness spills over at a dinner party attended by his old college friends, an occasion which sends him running to a nearby brothel, where he meets Liza (Lee), a young prostitute.

After losing sight in 1983, John Hull began keeping an audio diary, a unique testimony of loss, rebirth and renewal, excavating the interior world of blindness. Following on from the Emmy Award-winning short film of the same name, Notes on Blindness is an ambitious and groundbreaking work, both affecting and innovative.

A Study of Light over Water. The film is an abstract representation of the naturalistic reflection of light on Lake Tune and Canal Saint-Martin.

Airports, detention centres, sea containers. Slow, roaming shots linger on places of passage and confinement, where movement is measured and controlled. Fragments of stories, words passed from one person to another. Encounters along the way reveal different ways of seeing, different ways of understanding. 　　Voices emerge, sharing stories from those held inside Brook House, a large immigration centre on London’s outskirts. Through shifting perspectives, the film examines migration, control, and the space between perception and reality.